Blowing Your Trumpet

Blowing Your Trumpet

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The trumpeter produces sound from the trumpet by buzzing his or her, lips. That said, it is in fact the metallic mouthpiece that produces the sound. There are various different mouthpiece shapes-a mouthpiece with a deep cup will produce a mellower sound, while a mouthpiece with a shallower cup will produce a bright, piercing sound.

Mouthpieces are made of brass or silver (among other materials), and trumpeters choose a mouthpiece according to their personal preference. An individual trumpeter may use a number of different mouthpieces, according to the key of the piece or the particular timbre he wishes to produce.

On the trumpet the pitch of notes is principally varied by using the valves to change the length of the tube. In general, the longer the tube, the lower the note. The structure of the trumpet enables the note to be lowered by one tone by pressing the first valve, by a semitone by pressing the second valve, and by one and a half tones by pressing the third valve.

The first valve lengthens the trumpet’s tube by 160 mm, the second by 70 mm, and the third by 270 mm. These are just the right lengths for altering the pitch by the required interval.
For example, the valves are operated as follows in order to play the notes of the scale:

To change from G to F, the trumpeter presses the first valve, which lowers the pitch by one tone. To change from G to E, he presses the first and second valves, since E is one and a half tones below G. To change from G to D, he presses the first valve (which lowers the pitch by one tone) and the third valve (which lowers the pitch by one and a half tones), since D is two and a half tones below G.

On the trumpet the fingering to operate the valves is the same for C, G, and High C. In other words, the length of the tube is the same and the pitch is varied by blowing the instrument in a different manner. This is because a property of sound known as the harmonic series allows notes to be distinguished by blowing in a different manner when the tube length is the same.
The following figure summarizes the relationship between valve operation and the note produced. Even when the valves are pressed in an identical fashion, several different notes can be produced.

The various combinations of the trumpet’s three valves allow a complete chromatic scale to be played. In addition, a single note can be produced using several different fingerings. For example, a high C can be produced without pressing any of the valves, by pressing the first and second valves, or by pressing the first and third valves.

The triggers that the trumpeter hooks his fingers around are not simply designed to make the instrument easier to carry. The trumpeter controls the pitch of the note by using his left thumb to slide the first slide and his left ring finger to slide the third slide. This is why the instrument is fitted with these triggers.

Pressing the valves on the trumpet does not necessarily produce the right note. The valves can produce an approximation of the note; however, the trumpeter must use his mouth or the slides to make the necessary fine adjustments.

Credit: Blowing Your Trumpet

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